Proof That Wes Anderson Is the Most Perfect Director Ever

Posted: March 18, 2014 in Movies


If Wes Anderson’s movies seem obsessively perfect, that’s because they are.  Anderson’s predilection for the perfectly balanced shot is the hallmark of his style.  Vimeo user Kogonoda made a compilation that demonstrates this symmetry obsession.  Wes Anderson//Centered culls every Anderson movie sans Bottle Rocket, his off kilter first feature.  The music track is Alexandre Desplat‘s “The New Lobby Boy,” from the Grand Budapest Hotel soundtrack.

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