Proof That Wes Anderson Is the Most Perfect Director Ever

Posted: March 18, 2014 in Movies

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If Wes Anderson’s movies seem obsessively perfect, that’s because they are.  Anderson’s predilection for the perfectly balanced shot is the hallmark of his style.  Vimeo user Kogonoda made a compilation that demonstrates this symmetry obsession.  Wes Anderson//Centered culls every Anderson movie sans Bottle Rocket, his off kilter first feature.  The music track is Alexandre Desplat‘s “The New Lobby Boy,” from the Grand Budapest Hotel soundtrack.

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